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Section One:  Monday and Wednesday (9:30-11:45) 
Section Two:  Saturday 9:00 - 1:00 followed by open lab time until (time to
be determined by classes meeting in this studio space)
 
 
  
    | Instructor: | 
    Beth LaCour | 
    Instructor Office Hours | 
   
  
    | e-mail:  | 
    lacour@arts-in-company.com | 
   
  
    | Office: | 
    Building 15, Room 106 | 
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    | Phone: | 
    776-2037 (voice mail)  
      or call Division Office 776-2035  | 
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I. Objectives
  - Have fun.
 
  - Explore contemporary techniques of papermaking
 
  - Use Western and Oriental sheet forming techniques.
 
  - Prepare paper pulp pulp from raw plant fibers and pressed fiber sheets.
 
  - Create editions of paper sheets.
 
  - Prepare colored paper pulp.
 
  - Create editions of multicolored paper sheets.
 
  - Improve use of design elements and principles.
 
  - Review traditional and not traditional uses of paper.
 
 
II. Course content
  - Paper making Equipment
 
  - Vocabulary
 
  - History of Paper and Pre-Pare
 
  - Pulp Preparation
 
  
    - from Raw fiber
 
    - reconstituting Pressed FIber sheets
 
   
  - Western Sheet forming techniques
 
  - Japanese sheet forming techniques
 
  - Nepalese sheet forming techniques
 
  - Archival vs. Non-Archival
 
  - Sizing
 
  
    - Tub sized vs. Sheet sized
 
    - Unsized
 
   
  - Color Lamination and Embedding
 
  - Pulp Painting
 
  - Combination with two-dimensional processes
 
  
    - Printmaking
 
    
      - Combining print media with handmade paper
 
      - Registration to pulp painting
 
      - Create an edition fully integrated with handmade paper
 
     
    - Drawing
 
    
      - Mixed media (wet and dry)
 
      - Experimentation with varnish, graphite, pastel, watercolor
 
     
    - Watercolor
 
    
      - Back Painting
 
      - The effect of sizing
 
     
    - Computer Graphics
 
    - Combination with sculptural processes
 
    
      - Casting using armature/ Muslin
 
      - Casting using plaster or flexible molds
 
     
   
  - Basic Design principles and elements
 
  - Historical and contemporary art examples.
 
   
   
 
III. Text
  Dawson, Sophie, The Art and Craft of Papermaking, Asheville NC, Lark
  Books, (1992) ISBN 1-887374-24-8
 
IV. Attendance Policy 
 
   Roll is always taken.  Students are
  expected to attend every class period.  Absences should be discussed with
  the instructor (normally in advance).  Students who accumulate more than
  two weeks of  absences will be immediately dropped from the class.
 
V. Course Requirements
  Complete projects as assigned. See Project
  Checklist. 
  Portfolio  of papermaking experiments and
  projects.  You may design the format of your portfolio.  Late
  portfolios will be penalized by one letter grade per day.
 
VI. Grading
  Late portfolios will be penalized by one letter
  grade per day. 
  GRADES:  Based on the
  average of grades for each of the assignments completed over the
  semester.  The base grade may be affected (positively or adversely) by
  performance in the following areas:
  
    PARTICIPATION:  in class
    projects and discussions. 
    ATTENDANCE 
    PUNCTUALITY to class and in
    turning in projects and assignments 
    ATTITUDE and willingness to
    tackle projects and resolve problems. 
    TIME MANAGEMENT in studio and
    class time.  Includes having necessary materials available. 
     
   
  There are a total of 185 semester
  points available.  Grades will be assigned as follows.
  
 
VII. Supplies and Materials
  
VIII. Schedule
  Important dates for demos are on the
  calendar.  Demonstrations will begin at 9:45.  Be sure you are here
  and ready to start.
 
 
© Beth LaCour 1999
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