Artist Page Title
            
	
			
            cast it, paint with it,    
            make books and stationary with it,  make cards  
                Paper Samples   
            Paper can be made with flowers, threads,   
            plant fibres,hearts or other additives.  
              image of a sheet of paper made with floral
              inclusions"></center><p> This paper has been made by
              dipping the mould into two vats one after the other.First in a vat with
              cream recycled mount board, then in a vat of blue recycled paper with
              dried brown boronia and forget-me-not flowers added but it was only dipped
              half way in and was scooped out with lots of flowers.   
            <p> Plain paper can be embossed with   
            lace or with initials for special occassions.</p>    
            <center><img src="emboss1.jpg"alt="image of
              paper embossed with lace "></center><p> This paper was
              made from recycled mount board and pressed with a fairly heavy lace. The
              lace was left on until the paper dried.</p>   
            <p><h2>Workshops</h2></p>   
             basic papermaking  
              plant fibre papers   
            More Information   
              Directions for making paper from plants  
              Directions forrecycling paper  
              Books - includes pictures and binding notes  
              timeline of the history of papermaking  
              Links to other paper and bookbinding sites  
     
            INTRODUCTION TO PAPERMAKINGIn addition to basic sheet-forming
              techniques, participants learn to make beautiful individual papers by
              adding various materials to recycled paper pulp. Papers made in this
              workshop may be used for cards & writing sets, for making boxes,
              folders & gift wrappings or for artwork, collages, calligraphy and
              stamping.  
     
            EXPLORING DECORATIVE SURFACES ON HANDMADE PAPER  
              Participants will explore a wide range of sheet-forming techniques which
              add texture, colour & images to the paper. Use of coloured pulps,
              shaped & alternative moulds, stencils, creative watermarks, string
              pulls, lace and rain papers are just some of the exciting possibilities
              you will experience.   
            Unique packaging for special gifts (or gifts in themselves, Just
              as they are)  Decorative papers will be handmade, shaped with mould
              & deckle to form _ boxes cards, envelopes, bags & packets.   
            Recycling Paper  
              Selecting material for recycling and making pulp. Almost any paper can be
              recycled. Avoid newsprint and plastic coated  paper. Shiny junk mail
              and magazines give a pleasant grey paper with  coloured flecks.
              Computer paper, photocopy paper and envelopes are good to make paper from.
              The paper can be coloured with special paper dyes or pigments  or
              with coloured papers, eg tissue paper, wrapping paper and coloured copy
              papers.Once you have selected paper for recycling, tear it into 3 - 5
              cm  squares and soak in warm water for between two hours and two
              daysThe longer the paper is soaked the easier it is to break up. A loosely
              packed bucket of torn paper will make about half a bucket of pulp.
              The  paper can be pulped with a metal paint
                stirrer attached to a drill,  with a blender or food processor
              or in a non automatic washing machine. The paper is sufficiently pulped
              when there are no large pieces of  paper in the
                mixture, the fineness of the pulp is a matter of personal choice.   
            MAKING THE PAPER  
                Equipment Required  
              Mould and Deckle (can be purchased from many craft shops, papermaking
              suppliers  or from individuals ; a vat, (a baby bath or large sink
              could be used); a press, (2 boards held together
                with   
              G-clamps work well as a press); a piece of sponge between 1 and 2 cm 
              thick and slightly larger than the mould and deckle; felts or
              couching  cloths - can be teatowels, chux cloths,
                blanket, vylene or any fabric. The texture of the felts will be
                transferred to the paper.   
            Method  
              Put warm water into your vat to a depth of about 8 cm. Add about 3 cups of
              pulp and mix well. Hold the deckle onto the mould and lower into the vat
              vertically, move to horizontal and slowly lift through the water  shaking from side to side and back and forth. When most of
                the water  has drained through tilt to one comer to drain some
              more then remove  the deckle. Invert the mould onto a very wet felt
              resting on the wet  sponge. Rock back and forth and rock the mould
              off the felt leaving  the sheet of paper on the felt. Put another wet
              felt on top of the  paper and repeat the process. Ten to twelve
              sheets can be made at one time by placing a felt between each sheet. The
              sponge is then removed   
              and the paper is pressed between two boards for an hour or
              overnight.   
              Once pressed the paper can be hung to dry on the felts. When it is dry the
              paper will peel easily from the felt but should be pressed lightly between
              dry boards or under books.Different shapes can be made by using different
              deckles. Some mould   
              and deckle sets come with an envelope deckle which has the corners 
              blocked. An embroidery hoop can be used as a deckle to make circular 
              sheets of paper.   
            Making a Latex cast of a three -dimensional object  
              Attach item to be a base board with cornice plaster or blu tac. Seal base
              to board to prevent latex seeping under base.Dab latex over item in thin
              coats drying between coats (don't allow the latex to pool or bubbles will
              form). Item can be heated before applying latex to speed up drying.  
              Apply about 10 coats, test with a fingernail, should be springy.  
              Apply reinforced coats by adding sand, sawdust or squares of chopped up
              pantyhose to the latex. Make sure to reinforce any edges and curves and
              fill in any undercuts. Give the item between 3&5 coats of reinforced
              latex, then 2 coats of plain latex.  
              Finally make a plaster support cast by coating the outside layer of latex
              with about 2cm plaster.  
              Because the latex is flexible you can make casts of items with
              undercuts.  
              Wash brushes out in a solution of the washing powder BioZet.  
    
              PLANT FIBRE PAPERS  
              Many plants are suitable for making paper but they must be treated to
              remove the acid and lignans from the mass of cellulose which is the basis
              of paper. This is done by boiling the plant material up with some form of
              alkali, the mildest being wood ash followed by washing soda then caustic
              soda.   
            Fibres for papermaking are classified on the basis of their source,
              some of the best and longest fibres are those from the inner bark or bast
              for example Kozo from Japan and daphne paper from Nepal . Stem fibres for
              example abaca & ginger lily and leaf fibres like sisal and New Zealand
              flax have comparativly shorter fibres than bast fibres and grasses have
              shorter fibres still.   
            A way of telling if a particular plant is suitable for
              papermaking   
              is to bend the leaf and if it bends without snapping it will probably be
              suitable. Some plants require fermentation (retting) before cooking, this
              can be done by soaking the plant material in milk, water or mild alkali
              until it has rotted and bacteria has started to break down the fibre. Bast
              fibre is prepared by stripping the bark off the plant and removing the
              outer bark, sometimes steaming will make the removal of bark from the
              stems easier.    
            METHOD: PREPARING THE FIBRE:   
            BAST FIBRES : Some plants whose bast fibresare suitable are hibiscus,
              mulberry, wattle, elm, daphne. Many others are bound to be suitable it's
              just a matter of experimenting. In order to harvest the fibre the stems
              should be cut into 20cm lengths and the bark stripped off. If this is
              difficult the stems can be steamed to make removal easier. The outer bark
              is then scraped off and the bast is cut into lengths of 2-4 cm. then put
              in a pot ( not aluminium) to be boiled up with alkali.   
            <p><b><h2>STEM FIBRES:-</h2></b>Some
              suitable stems are ginger lily, agapanthus flower stems, red hot poker
              flower stems,bluebell flower stems and papyrus.  These are cut into
              lengths and may need to be retted or beaten before   
              being put into the pot for boiling up.   
            LEAF FlBRES:-  
              Suitable leaf fibres include New  Zealand flax,
                cordyline, red hot poker and iris. To speed up processing these can
              be stripped by pulling the leaf over a set of spikes so that they become
              shredded then cut into lengths before boiling.   
            GRASS FIBRES:-many grasses are suitable for papermaking although their
              fibres are shorter than the leaf and bast fibres.Many of the cereal
              grasses are suitable, e.g. wheat, oats, barley etc. The grasses are cut
              into lengths before boiling.</p>   
            BOILING THE FIBRES:-  
              The quickest way of breaking  down the fibres is
                to use caustic soda. There are several precautions  which must
              be noted when using caustic soda.   
              (A) ALWAYS WEAR GLOVES AND EYE PROTECTION  
              (B) ALWAYS ADD THE CAUSTIC SODA TO THE WATER NOT THE OTHER WAY
              AROUND.   
              (C) ALWAYS USE STAINLESS STEEL OR ENAMEL COOKING POTS AS CAUSTIC
              EATS  ALUMINIUM.  
              (D) ALWAYS WORK IN A WELL VENTILLATED AREA, PREFERABLY OUTDOORS.   
            You should measure the volume of water you add to your fibre to just
              cover the plant material then add caustic soda according to the volume of
              water. One tablespoon per litre of water should be sufficientfor most
              plants. Alternatively the fibre can be weighed and 10% caustic soda by
              weight added.  
   Boil this mixture until the plant material is soft and slippery when
              rubbed between gloved fingers. This can take anything from 30 minutes to 2
              or more hours. Allow to cool slightly then pour through a sieve or a
              square of fine curtain netting. Do this down a gully trap orover an
              unimportant corner of your garden. Rinse well until the water runs clear
              and the pH is approximately 7 i.e. neutral. This can be tested with litmus
              or universal indicator paper. Sometimes the fibre is ready for use at this
              stage but it becomes finer if it is beaten with a wooden mallet then
              vitimised for a few seconds. You can tell howfine your fibre is by placing
              a small amount in a glass jar full of water and shaking it so that you can
              see the individual fibres.   
            MAKING THE PAPER:-  
              The paper is made in the same way as recycled paper except that some
              papers require addition of a formation aid to slow down the drainage and
              ensure that the fibres are evenly spread over the sheet. The green
              vegetable okra makes an excellent formation aid when it is chopped and
              soaked in water. It forms a gelatinous substance which is strained into
              the vat. A synthetic formation aid is available from some papermaking
              suppliers. It is called neri or synthetic tororo-aoi and should be mixed
              with cold water using lg of powder to 1 litre of water. Size can also be
            added to the vat to make the paper more water resistant. 
              
             
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