Papermaking

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Japanese Sheetforming Techniques

Japanese kozo = pale yellow paper 

Thai kozo -- tan paper Paper in Japan is traditionally used for much more than a writing surface. The superior strength of  washi (Japanese handmade paper) suitable for umbrellas, lanterns, kites, clothing, string, packaging, even building materials. It is unfortunately that Western culture and , modern mass-production methods have permeated Japanese culture and as a result, washi is much less prevalent today.


 

   
  • Initial vat set-up.
  1. Cold Water added to vat.
  2. Add pulp.
  3. Mix
  4. Add Formation Aid (Neri) is added later.
    Tororo-aoi (okra root) (Pronounce Torro O Owee) - mucilage
  5. Cannot use hot water at all with formation aid.
    Mulberry on Western screens
   Stir to evenly distribute the pulp.  (This is not accurate) Hydrate the vat. Place palm flat to the bottom of the vat. 

In general the more water the thinner the sheet the more pulp the thicker the sheet

   

Formation Aid Must be used to form a sheet using Japanese method. 

Better to have too little fiber or too much neri in the vat 

Pull the Mould through vat to form the sheet 

  • Screen up
  • Deckle placed on top of the mold to control the edge of the sheet. Screen trap the fiber and lets the water drain away.
  • Hold the two mould parts together on the short sides of the mould.
  • Perpendicularly insert mould and deckle into the far side of the vat 
  • Dip the mould into the pulp in a slow continuous motion pulling forward and gradually bringing the mould into a horizontal position.
Multiple Dips 
  • First dip should be a full motion
  • Subsequent dips = move
  • Dip about 8 times
  • Before all of the water drains throw off excess and recharge
  • Last pull is flat and even
Remove deckle and check sheet quality 
  • Tip mould to drain the excess water from the corners. Hold a sponge below to help catch any water that does not return to the vat.
  • Remove deckle. Kiss off deckle.
  • If the sheet is inferior, kiss it off screen so that pulp goes back into the vat
  • Re-stir the pulp slurry
   
   
   Transfer paper to felt 
  • Damp felts. If you use newspaper need to have fabric beneath
  • Couch: (Rhymes with smooch) Turn mould onto felt (or newspaper) so that paper is between the screen and felt.
  • Remove some of the water from the back of the screen with a sponge. 
  • Paper will stick to damp felt before you remove the mould
  • Should be able to read newspaper through sheet. Paper is transparent when wet.
  • Remove mould.
  • Place another layer of newsprint, or felt, on top. First roll with no pressure then gently press with a rolling pin to remove excess water. Gradually increase pressure. Pressing helps to strengthen paper. IONIC transfer.
  • Remove top felt.
   Transfer paper to cotton sheeting or drying board 
  • Place paper and felt "upside down" onto white board. The felt will be on top.
  • Roll down again with rolling pin. By adhering to "tile board", you employ restraint drying.
  • Mark your new sheet of paper with a post-it note with your name.
  • Apx amount of neri
Mulberry fiber - Do not let dry out, what you do not use ....... 
Transfer paper to cotton sheeting or drying board
    Press dry. (OPTIONAL - We will not do in class) 
  • Place another layer of cotton sheeting on top
  • Press with a warm iron. Keep it moving.

  • Can directly iron the paper when it is nearly dry
   Japanese technique on Japanese mould.  
  • 90 degree when roll down
  • Press gently at front edge to adhere sheet slightly to help grip.
  • Between each sheet = thread.
  • 6 - 8 hours - increase the weights
  • Brush paper down onto Board after sheets are separated.
  • GAMPI = "Gahm - ee"

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