Exposure
times for YC Olec Exposure Unit
Materials:
Plate laminated with ImagOn
Expose ImagOn Coated Plate to Artwork
- Aquatint Exposure (16 L.U.
- Photocopy on Transparency
Exposure (16 L.U.)
- Color Photocopy Transparency
(Grayscale) (14 L.U.)
- Frosted Polyester (10(13)-15
L.U.)
- Toner Tusche on Frosted Polyester (
9-14 L.U.)
- Direct (Leaves and Skeletonized
leaves) (12 L.U.)
- Harden Plate (Double the
exposure of the Aquatint Exposure) (32 L.U.)
Use of NuArc Unit
Use of the Olec Exposure Unit
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Questions
- How long of an exposure to get aquatint to white?
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Determining
Exposures
- make a step tests to determine the correct
exposure for the various Processes
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Testing a New Substrate for Original
- When using a new material like vellum as a substrate for an image,
leave an area without the image so you can see if the problem is the
developer or the development time.
- To test when the substrate (vellum, mylar, lexan, oiled paper, etc.)
is no longer affecting the ImagOn it is often helpful to test only the
material to se when the material is o longer "recorded" by
the ImagON.
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Do not look at the light source as the strong light can
do serious eye damage
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Exposure Units
Determining
Exposures
- make a step tests to determine the
correct exposure for the various Processes
- Perfecting exposure times, for the
various elements within each technique, will result in optimum output
results.
- Determining which is the ideal exposure
time, for any exposure unit, is a matter of doing a series of test
exposure to determine the best results.
- make test sample plates and print them
in the intaglio manner.
- Post the "optimum" exposure
times on the side of exposure unit for future reference.
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Testing
the Aquatint Screen for your exposure unit
- After an aquatint screen has been made it is
important to expose it directly to a ImagOn laminated plate with
incremental time segments then develop, dry, light harden this plate
and then print it to see which exposure segment gives the best density
of black.
- The emulsion of the aquatint screen should face
down in direct contact with the ImagOn emulsion.
- Once the optimum exposure time for this black has
been determined it generally remains fixed unless a gray tone is
required rather than the black.
- In any case your step exposure and final print
will give you an accurate guide if you wish to exploit a range of
tonal values in your aquatinted areas.
- Generally speaking the longer the aquatint screen
is exposed the lighter will be the finished aquatint.
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